Category Archives: flipside kings

I’m Teaching A Workshop!!!

If you are a dancer of any kind, a mover, a writer, a visual/performance/spoken word artist, actor, mother, father, son, daughter, yogi, athlete, aerialist, stilt walker, mime etc….then you might just enjoy this class.

The workshop will experiment with movement, text, writing, creating atmosphere, improvising, and taking risks vocally, aesthetically and physically.

Class will run for 2 hours (120min) and all levels are welcomed; beginner, intermediate, and/or advanced.

No skill set and/or experience is needed. Please come dressed ready to move.

There is limited space for this class, so early registration is encouraged.


WHERE:: National YoungArts Foundation – 2100 Biscayne Boulevard, Miami, FL 33131


Rudi Goblen_Performance Technique Workshop


Tarell Alvin McCraney’s Romeo & Juliet


The first time I read Shakespeare as a child I was drawn to it instantly. I didn’t quite understand the work or know anything about it – but that’s what I loved. The words, the cadence, the imagery, the not-knowing, the bleak, the fantasy.
I remember feeling like if I learned about Shakespeare or his work I would be smarter, sophisticated, people would respect me, and I wouldn’t be just some knucklehead Hispanic kid.
I never did though – learn all about him, or read/act in one of his plays, but still feel he and his approach to language was a big inspiration to me and my writings.


Years later in 2006, after performing my first one-man show “Insanity Isn’t”, Justin Macdonnell​, a great man I have immense respect for, came up to me and said, in his Australian accent, “You, young sir, are amazing – and a Shakespearian actor at that. I wouldn’t be surprised if the next thing I saw you in was King Lear!”

I didn’t know what or who or when King Lear was, but I didn’t care. I never had the privilege of going to school for theater, performance, ensemble, improvisation, acting, writing etc – and throughout the years have had a hard time calling myself a practitioner of any of those crafts because of it. So, Justin saying this to me was a big deal. I felt accepted, sophisticated, respected.


But, after 11 years of experience in the theater, numerous shows under my belt, 3 of those being my own one-man shows, I still had never been in or performed a Shakespearian pl ay/monologue. Until this past weekend when my Shakespearian cherry was popped by some of my best friends, friends, and new friends – and I couldn’t have asked for a better first time.


One of my best friends, Tarell Alvin McCraney​ just happens to be one of the best playwrights in the land. Don’t know him? You’re stupid.

And he casted me in the first play I ever saw from Shakespeare, Romeo and Juliet.
And I got to play Tybalt, who was my favorite character from the Baz Luhrmann movie version, because I was a John Leguizamo fan as a kid.

And I got to perform it in Miami.

Under the sunset.
Under the stars.
In the round. (To the hip hop heads, that means in a cypher, yo).

And I got to perform it with the most fucking talented cast ever.
Like fuck! Serious.
It didn’t rain.
700 plus people showed up.
People were touched.

And I got my Shakespearian on for the first time ever.


So thank you.

Thank you for trusting me.
Thank you for being you.
Thank you for letting me be me with you.

Pardon my monkey thumbs,

-Rudi (Writer/Actor)


Soot Ep

My new instrumental Ep, Soot is here…

Soot Ep

Download your copy now.

“Soot” is great for waiting at airports, road trips, the nude beach, drawing, painting, and bbq’s.

It was inspired by us, nothing but dust in the universe – dreams living inside machines just waiting to disperse.

Artwork by my 5yr old nephew, Isee.

Get it – it’s tasty.


See this?

Screenshot 2014-06-10 11.10.03See the cover of this program? See the picture of the hairy, chinky Latino screaming, that kind of looks like a caveman, and kind of like a monkey too?

Well, people think that guy is Cuban, Dominican, Jamaican, Brazilian, or Puerto Rican. He isn’t – he’s Nicaraguan – and that Nicaraguan is me – during a performance of my one-man show PET.

The month of May celebrated the one-year anniversary of that show’s premiere. So, I would like to thank everyone that came out to catch all the shows, and/or supported in any way. I would also like to thank the people that came out to see an excerpt of PET the other weekend, as part of the Design District’s new Site-Specific Performance Series.

Click on the pic for some more fun.

Ok – You may continue scrolling now.




I was told by a very famous blogger/publicist (who doesn’t have a blog……or Facebook), that  I should share more of me and my doings with you. So, here.Screenshot 2014-06-09 13.46.17Thanks to all the people that came out to my lecture on Hip Hop culture over at History Miami the other weekend as part of our Flipside Kings residency there this summer. It was great to see people genuinely interested and willing to learn – as well as fun



I’m in a erie area where hands to necks belong to magazines with low batteries waiting to fall, and the dust I own screams from the stomach of “The All” with its wit inside a loosely tied navy knot. Dinosaur teas going bananas over rays of Vietnamese cups of wifi that will only say bye-bye eat good karma in hopes of receiving a green cross at the wall of pandas. While the irony in silicone is that we’ve stumbled more than some in tech, and our goal is far fetched with a bad case of strep throat waiting to be pet with vertigo spells.

With my tongue to concrete, and callus to the brain – I freeze.

What are you doing?