All posts by Rudi Goblen

Rudi Goblen

About Rudi Goblen

Rudi; writer, dancer, and actor, is an acclaimed B-Boy, his crew Flipside Kings has toured in and out the country competing in, judging, and winning various events. In 2003, he joined Teo Castellanos’ D-Projects, a collective of culturally trained artist creating provocative contemporary performance. Rudi went on for the next year and a half to build and create D-Project’s first piece, Scratch & Burn, with which he toured with internationally for five years, while receiving most of his theater training during this period as well. Since then, he has gone on to train/work with DV8 Physical Theater, Cirque De Soleil, and become a member of Octavio Campos’ Campostion Hybrid Theater Works, Rosie Herrera’s Rosie Herrera Dance Theatre — and an interactive performance troupe Circ-X. Rudi is also a recipient of the Future Aesthetics Artist Regrant (FAAR) funded by the Ford Foundation in conjunction with the Future Aesthetics Cohort, and has a Miami-Dade Fellow (2012). He is currently teaching and touring in and out the country with his two one-man shows, Insanity Isn’t and Fair Welling, both shows were commissioned by Miami Light Project and the Adrienne Arsht Center for the Performing Arts for the Here & Now.

I’m Teaching A Workshop!!!

If you are a dancer of any kind, a mover, a writer, a visual/performance/spoken word artist, actor, mother, father, son, daughter, yogi, athlete, aerialist, stilt walker, mime etc….then you might just enjoy this class.

The workshop will experiment with movement, text, writing, creating atmosphere, improvising, and taking risks vocally, aesthetically and physically.

Class will run for 2 hours (120min) and all levels are welcomed; beginner, intermediate, and/or advanced.

No skill set and/or experience is needed. Please come dressed ready to move.

There is limited space for this class, so early registration is encouraged.


WHERE:: National YoungArts Foundation – 2100 Biscayne Boulevard, Miami, FL 33131


Rudi Goblen_Performance Technique Workshop


Tarell Alvin McCraney’s Romeo & Juliet


The first time I read Shakespeare as a child I was drawn to it instantly. I didn’t quite understand the work or know anything about it – but that’s what I loved. The words, the cadence, the imagery, the not-knowing, the bleak, the fantasy.
I remember feeling like if I learned about Shakespeare or his work I would be smarter, sophisticated, people would respect me, and I wouldn’t be just some knucklehead Hispanic kid.
I never did though – learn all about him, or read/act in one of his plays, but still feel he and his approach to language was a big inspiration to me and my writings.


Years later in 2006, after performing my first one-man show “Insanity Isn’t”, Justin Macdonnell​, a great man I have immense respect for, came up to me and said, in his Australian accent, “You, young sir, are amazing – and a Shakespearian actor at that. I wouldn’t be surprised if the next thing I saw you in was King Lear!”

I didn’t know what or who or when King Lear was, but I didn’t care. I never had the privilege of going to school for theater, performance, ensemble, improvisation, acting, writing etc – and throughout the years have had a hard time calling myself a practitioner of any of those crafts because of it. So, Justin saying this to me was a big deal. I felt accepted, sophisticated, respected.


But, after 11 years of experience in the theater, numerous shows under my belt, 3 of those being my own one-man shows, I still had never been in or performed a Shakespearian pl ay/monologue. Until this past weekend when my Shakespearian cherry was popped by some of my best friends, friends, and new friends – and I couldn’t have asked for a better first time.


One of my best friends, Tarell Alvin McCraney​ just happens to be one of the best playwrights in the land. Don’t know him? You’re stupid.

And he casted me in the first play I ever saw from Shakespeare, Romeo and Juliet.
And I got to play Tybalt, who was my favorite character from the Baz Luhrmann movie version, because I was a John Leguizamo fan as a kid.

And I got to perform it in Miami.

Under the sunset.
Under the stars.
In the round. (To the hip hop heads, that means in a cypher, yo).

And I got to perform it with the most fucking talented cast ever.
Like fuck! Serious.
It didn’t rain.
700 plus people showed up.
People were touched.

And I got my Shakespearian on for the first time ever.


So thank you.

Thank you for trusting me.
Thank you for being you.
Thank you for letting me be me with you.

Pardon my monkey thumbs,

-Rudi (Writer/Actor)


Soot Ep

My new instrumental Ep, Soot is here…

Soot Ep

Download your copy now.

“Soot” is great for waiting at airports, road trips, the nude beach, drawing, painting, and bbq’s.

It was inspired by us, nothing but dust in the universe – dreams living inside machines just waiting to disperse.

Artwork by my 5yr old nephew, Isee.

Get it – it’s tasty.


Tres Ep

My new instrumental Ep, Tres is here….

TRES_Rudi Goblen

Download your copy now.

TRES is full of love for your ears and is great for traveling, contemplating choices you have yet to make, and awkward silent moments. All songs were created after a long stroll on a short boardwalk made out of the 11th planet’s remains.

Get it – it’s delicious.


Soarse Spoken Ft. Afrobeta “Pretty Dark Summer” (Rudi Goblen Remix)

Let’s start the day off right……………with some “rappin’”!


Check this brand new remix I did for my very good homie Soarse Spoken ft. Afrobeta.

The original track is from his new EP Pretty Dark Summer, which you could stream and/or dowload  ==> HERE

But before that, hit play on this pretty little soundcloud player below and enjoy.





Ring the Liberty Bell…

I’m going back to you, Philly!

Call Will Smith, Rocky Balboa, and tell South Street to get my vegan/gluten free steak and cheese, minus the Cheez Whiz ready.

We, the RHDT Company have been rehearsing for you – and will be inside you from January 15-17 in the Zellerbach Theatre at the Annenberg Center for the Performing Arts.

Get tickets ===> HERE

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